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Unleashed in the late 1970s and consolidated throughout the 1980s, the movement to renew the plastic arts in Cuba became a phenomenon known as “New Cuban Art.” This “aesthetic revolution” was shown in the field of artistic creation as an enterprising cultural project of a new desire for self-awareness, whose aim was to integrate art into the dynamics of society and the democratization of culture, from a vision Away from the stereotypes proposed by socialist realism. Rent casa particular Cuba with us and discover the cuban art as a local.
Towards the Eighties, emerging in our country a new promotion of artists educated within the system of teaching of art created by the revolution, with ideas that were manifested in favor of the legitimation of the budgets esthetical that proposed the culture Western, whose art was labeled bourgeois, dehumanized and decadent, by coming from a political system of capitalist essence.
The first example of this renewal arises in the context of the crisis of the dominant discourse on art and its basic budgets: the so-called postmodern condition, and it was constituted by the volume I group, which brought together the protagonists of the first visible attempt of Transgression towards the bases of a cultural behavior tendentious to the social order and the stereotyped romantic-idealized representation of the heroes, the feats, the history, etcetera. Its bases were, therefore, the claim of an autonomy of art, the stabilization of new artistic codes in the aesthetic consciousness, the retorization of a set of means for the production of ideology. Visit most cultural places in your trip and rent casa particular Cuba with us.
From the postmodernist sphere, framed in a clear crisis of values, a series of postures emerge that rethink the need for a culture of resistance, which manifests itself in an overvaluation of “the Own”, “as an uncontaminated past where the Identity “. In the case of the new Cuban art, the transgress spirit is retaken.
In the case of the new Cuban art, retakes the transgressive spirit of the Post-vanguard, which stands “as a strategy in the certainty of the social constitution of artistic value”.
The unavoidable merit of these artists of volume I lies in overcoming the stereotypes that had ruled the symbolic representation of the identity during the previous decade, shifting the gaze towards the traditional acquits in contemporary culture, the ancestral practices that persist in the conformation of the imaginary that characterize our culture. Discover cuban art and rent casa particular Cuba with us.
These new proposals owe to the contributions of conceptualism the vindication of artistic research as the basis for creation, “The supremacy of the idea on form.”
In this way, the new Cuban art exceeded the need for constant updating with the international artistic panorama, of yesteryear expressed in the search for new codes of representation to reappropriate the tendencies in vogue.
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The art institution, on the other hand, questioned its functional correspondence with the new artistic situation. In this sense, he developed an important work in the recognition and legitimation of the work produced by the emergent generation. An effervescence of the speeches on the art and projects of socio-cultural insertion was experienced.
In this way the new Cuban art was installed in the national culture with a bewildering, explosive force. It transcended functionally in the aesthetic plane and appropriated of primordial areas of the social praxis, “it tensed to the limit the permissibility of the cultural instance, and forced to a reconsideration of the subject of the state control on the symbolic production”. Even so, his legacy constitutes, today, an irrefutable fact. Have a dream trip and rent casa particular Cuba with us.